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Originally Posted by
xekomayaÂ

It was almost immediately after the vault so I think that was part 2? It is really amazing how vibrant and beautiful they still are especially considering the ocean air.Â
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I had a post written out but browser issues and I lost it..Â
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Are westernized icons limited to a certain time period? (and is that time period over? lol) Â I spend more time than I should googling icons and the interiors of Orthodox churches and I am really surprised by how many very westernized ones I come across.Â
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And sort of off topic - are icons allowed to have unique backgrounds? I noticed some of the more western ones have clouds. We have a painting called Our lady of Mt. McKinley and I've wondered what makes it an icon or not. I suppose I can always ask my priest. He is very knowledgeable about this stuff and has relegated all the western art to the basement :)Â
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Anyway.. I think I'm going to end up watching this over and over. I wish there were a documentary on Mt. Athos similar to Into Great Silence
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You will find different backgrounds, sometimes, I've seen things somewhat similar in icons of St. Herman of Alaska or St. Innocent, but first of all, this is explicitly a *painting* - plus the Theotokos and Christ don't have their names - the abbreviations for Theotokos and the ICXC.
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In Russia, at least, western influence came in through the west, through Ukraine. You had the Union of Brest-Litvosk in Eastern Europe, in which some Orthodox bishops/priests decided to go into communion with Rome. Thus were born Eastern/Byzantine/Greek Catholics, known sometimes as "Uniates," which is considered a degrogatory term. The Jesuits were active in Ukraine and eastern Europe. The Ukraine in the 1600s was very well-educated, including the Orthodox, and the influence of these priests/bishops/teachers spread to Russia. Did you know that theology in ORTHODOX seminaries in Russia was taught in LATIN? :O
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Anyway, the western tastes in art began influencing Orthodox iconography in Ukraine and then Russia. It didn't help that the Russian tsars, beginning with Peter the Great and the "enlightened" Empresses in the 18th Century loved all things Western, considering the traditional ways to be backward and only for the simple people.
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These fashions in art also were seen in Greece. Metropolitan Kallistos Ware, in The Orthodox Church, in the chapter on the modern Church in Greece, implies that the western-style was very widespread in Greece. He even mentions that churches in Greece were totally redone in traditional iconography.
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In a lot of the older Orthodox parishes in the US, especially those of the OCA, that were part of the American Diocese of the Russian Orthodox Church before the 1917 Revolution, there are iconostases - both the wooden structure and the icons themselves - that were given to these parishes established in the first 15 years of the 20th century by the Tsar himself! As a result of the historical connections, even though the iconography is of western-style, some badly done, there is a reluctance to get rid of the old icons. In fact, in Chicago at Holy Trinity Cathedral, which was built in 1903, it's not only a City of Chicago Landmark, but it's also listed on the National Register of Historic Places. The cathedral was designed by the famous Chicago architect Louis Sullivan, and it's the only Sullivan-designed church in the world that is still functioning as a church. It was built under the leadership of the parish priest, St. John (Kochurov) of Tsarskoe Selo and Chicago, first hieromartyr of the Revolution, and it was consecrated by St. Tikhon of Moscow, who as Archbishop of the American Diocese at the time. Iconostasis and the icons on it were a gift of Nicholas II.
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The listings on historical registers can create issues when it comes to renovations and replacing things, on the interior as well as the exterior.
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http://www.holytrinitycathedral.net/
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Pretty much the same case with St. Mary's (OCA) in Minneapolis, which was the parish of St. Alexis Toth, who brought the Greek Catholic parish into Orthodoxy (along with a whole bunch o'other folks). The iconostasis and icons on it were a gift of Nicholas II.
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http://www.stmarysoca.org/about.html
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