I know this is an old thread, but I just got The Golden Compass from Netflix a few days ago. I read the books years ago, and loved them. The movie was candy- visually appealing but empty. It was too much plot for a film; messy, choppy, and there was no room left for character development. I did a search to see if anyone else felt the same way and I found these old threads.
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Originally Posted by Ruthla 
I guess I'm still having trouble with the underlying concept that falling in love for the first time changes you from a "child" to an "adult". The whole concept of Dust being attracted to adults but not children just seems weird to me-as if children "don't matter" on a Cosmic level.
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Even though it's been a while since I read the books I wanted to throw my hat in re: dust. I understood dust to be less about consciousness and more about the life force. The Authority was created from the dust BEFORE the Authority became conscious of himself, so dust preceeds consciousness. And after all, children are perfectly conscious of themselves and the world LONG before most become sexually aware. So, I believe the fact that children only have as much dust as objects that adults have touched shows that children have a latent sexuality that isn't a huge part of who they are.
Pullman's series has references to Milton's Paradise Lost, in Spades. The phrases "his Dark Materials" and "the Golden Compasses" come from the poem, which is about the fall of man, something Pullman obviously perceives as a good thing. The underlying theme to the series is that it is fundamentally good to be man, that we lept out of the cosmos into physical life and that sexuality is the force behind that life. The church tries to destroy this fundamental part of life before it can blossom, essentially separating the soul from the individual and destroying young people.
I understood the changing of the daemons to represent the possibility of youth. Daemons, even in the changing phase, still have a few prefered forms, so their character is somewhat formed, but they still have a lot of wiggle room and time to choose who they will become.
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Originally Posted by Ruthla 
But I still don't understand how two adolescents kissing (or more?) fixed the rift in the world. Remember that the Dust/Sraf stopped flowing out towards the sea after they kissed, and before they learned about the Windows causing damage and the hard choices that they had to make.
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I think Pullman was careful not to make it a moral issue. Lyra didn't save the Universes by making a choice, by being "good," because the Fall of Man really wasn't about choice, good or bad- it is about a basic drive to live and continue life, expressed through sex. It isn't a moral issue. Sex didn't get Adam and Eve cast out of Paradise, but it's the first thing they did after they were showed the door, and it's the churchest biggest preoccupation. Anyway, that's my take on it. She didn't save the worlds by being "good," she did it by "being," the way we are supposed to be.

Sorry about spelling. Too lazy to check it.
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